American Fame and Fortune Chapter 405

Chapter 405 Honest and good student

In the hotel restaurant, everyone opened a separate private room, and fresh seafood feasts were served one after another. Martin asked the waiter to pour wine, sent people away, and raised his glass: "Welcome to you."

 Everyone raised their glasses and drank together.

 When Martin put down his glass of wine, Elizabeth had already peeled off a crab leg and placed it on his plate.

 “Thank you.” Martin smiled.

Nicolson continued the topic just now: "Did Blanchett take the initiative to bow his head and make peace?"

 Martin swallowed the crab leg meat and said, "It was an hour ago."

Nicholson was quite disappointed: "I came after her, full of enthusiasm. Now I have nothing to do. Everyone has bowed their heads. You can't bully the small."

 Leonardo said: "How often do you do this kind of thing?"

 Bar Refaeli, like Elizabeth, eats quietly without talking.

　　Martin flicked the wine glass: "I found something more interesting, much more interesting than Blanchett. Maybe you can see it when you get to the set tomorrow."

Nicholson asked: "What's the matter?"

 “Keep it secret!” Martin said the same thing: “If you know it in advance, there will be no surprises.”

Leonardo was curious: "Is David Fincher going to cause trouble?"

Nicholson shook his head: "David Fincher is not a director with that kind of personality. He has said personally that he does not make movies simply to please and entertain the audience."

On the other side, the news that Martin had a passionate kiss with a sweet girl in the hotel lobby flew away as if he had wings.

At the same time, news spread that Leonardo and Nicholson came to visit the set.

After hiding in his room and meditating for a long time, Shia LaBeouf came out to eat dinner smelling of cigarette smoke. He got the news from other members of the crew. He was stimulated, and his brain felt like it was receiving an electric shock. The blocked areas suddenly The embankment bursts, and artistic inspiration flows like a torrent.

 Shia LaBeouf was not hungry anymore and did not eat dinner. He hurried out of the hotel, hailed a taxi, went straight to the local commercial district, entered an adult products store, and started a large purchase.

 The artist's performance art also requires props.

 Martin and his group came out of the private room, made an appointment to go to Michoud Studio tomorrow, and dispersed.

Elizabeth took her arm with him and went upstairs together.

The two of them entered the room, and as soon as the door was closed, they were entangled in each other.

 Elizabeth's enthusiasm was as brilliant as the color of her hair.

 Martin suddenly got rid of her entanglement: "Wait, Liz, wait."

Elizabeth raised her head, her eyes misty, and held Martin's face in her hands: "My old boy, give it to me quickly."

 Martin pressed his finger lightly on her lips.

 Elizabeth endured the restlessness and let go of her hand.

Martin came to the door, opened the door to the suite, and stuck his head out.

 Less than five meters away, there was a girl with golden brown hair in braids, her back pressed tightly against the wall, and she was sneaking towards this side.

Saoirse's eyes met Martin's, she quickly stood up and smiled: "Teacher, I..."

 Martin pointed to her pocket: "Take it out."

Saoirse took out the voice recorder, handed it to Martin, and said, "I just bought it when you were eating, and I haven't used it even once."

 Martin checked it and returned it to her: "What do you want to do?"

"Teacher, I'm just curious." Saoirse acted like an honest and good student: "Actually, I know that once the door is closed, I can't hear anything. I just can't help but feel curious."

Martin warned: "Not again, I'll call Leonardo over."

Saoirse quickly covered her mouth, her eyes widened, her face full of fear, for fear of being silenced.

 Martin said: "Let's go."

Saoirse left dejectedly.

The door opposite Martin's suite has long been opened, and Bruce is looking over here with a smile.

 “It's okay.” Martin returned to the room.

 In the suite, only a piece of clothing was left, from sneakers to socks, from jeans to sweaters, like a wilderness trail, pointing the way to the right direction for Martin.

The sound of water sounded in the bathroom, and the curvaceous figure was reflected on the glass curtain wall.

 Martin strode inside.

  New Orleans was once ravaged by hurricanes, and storms always came at any time. Because the roads commonly used by everyone were in disrepair, Martin drove a new road that only he had traveled.

The sky is dark and the car lights are on, new and round.

It rained too much and the road was very wet and muddy. Martin slowed down his car and waited until he got used to the road before speeding up to the studio.

The road is bumpy and has many ups and downs.

However, Martin was exceptionally skilled in action scenes and had superb driving skills. There were no accidents along the way. It just took a long time, but he reached the destination safely.

When the car stopped, he pressed the car horn and made a bright and crisp whistle. The rain stopped, and Martin walked into the makeup trailer on time to start his day's work.

At almost the same time, Cate Blanchett walked into another nearby trailer.

Today, the real scenes of the male and female protagonists are about to be filmed.

Martin threw away his crutches, no longer stooped, and could finally stand on the set like a normal person.

 The studio was also bustling with activity. Many staff gathered on the open-air platform. They urgently drained water and used large blowers to dry the ground so that the crew could start filming on time.

Martin and Blanchett came out of the makeup trailer one after another. They looked at each other, neither said anything to the other, and walked into the set like strangers.

Saoirse, who finished filming Daisy, did not leave the crew and stayed on for the reason of studying.

She wore braids and a camera hanging around her neck, and she kept observing Blanchett's trailer. When the stylist came out, she grabbed her coat pockets, whistled, and walked over.

“Morning, Tina.” Saoirse came early, spoke nicely, and got along well with many people on the crew.

Tina smiled at each other: "Didn't you finish filming?"

Saoirse smiled very cutely: "I plan to stay on the set for a while to observe, especially Cate Blanchett. This is my favorite actress and a super acting. Being able to watch her perform live is such a learning opportunity. It's rare.”

Tina looked at her as if she were her own daughter and praised: "You are a hard-working girl."

"Thank you." Saoirse is an actress. When she wants to be cute, she will be very cute: "I want to get close to Blanchett. You are her makeup artist. Do you know what she doesn't like? Or, What did she complain about?"

Tina shook her head: "When I was doing the styling, she didn't say anything except for my opinion on the styling."

Saoirse scratched her head and looked troubled: "It turns out he doesn't like to talk and is not easy to get close to."

Tina laughed, but she felt that the little girl was even cuter.

Saoirse asked a few more questions, then she found an excuse to stay away from Tina near the periphery of the set, walked around a crane truck, and got into the group of extras.

"Aren't all women petty? Like me, if Emma Watson offends me, I will take the risk and **** her hard." Saoirse muttered to herself: "Did Blanchett really make peace with the teacher?"

She was thinking that being caught by the teacher last night might have left a bad impression. She wanted to get some real materials today to regain the lost impression points, but she got nothing.

 At this time, David Fincher's voice sounded on the set: "Every department is getting ready. Shooting will start in five minutes."

 Martin and Blanchett are already familiar with their positions, and each is only making final preparations.

 When the time comes, the recorder plays cards and starts shooting on time.

Blanchett walked onto the high stage, looked at Martin affectionately, unbuttoned and took off her coat, made various ballet movements, and said the lines about wanting to have **** with Benjamin.

Before Martin could respond, David Fincher stopped and reminded: "Kate, emotion! Your lines are too dry and your eyes are dull..."

Blanchett raised her hand: "My question."

She glanced at Martin, tried hard to forget all the unpleasantness, and whispered to herself: "I pour all my emotions into it, I just want to have sex, no matter which man is opposite me, I just want it!"

 The filming started again, Blanchett's performance was much better, and David Fincher never stopped.

 But compared to Martin, who has been fully in the state after joining the group for many days, he is still a little behind.

David Fincher asked to continue filming this one.

 Going back and forth, struggling many times, I finally passed.

Martin's professionalism has always been very high during filming and he has never complained. Although he doesn't like or even hate Blanchett because of his position, it can be seen that Blanchett has made sufficient preparations for the role. Every ballet movement was completed smoothly.

 David Fincher could tell that Blanchett was tired and asked the crew to take a break.

  He is somewhat relieved about Martin and Blanchett. As long as they don't cause trouble at work, he doesn't bother to care about them even if the troubles are turned upside down in private.

It seems that the biggest trouble for the crew is not with them.

 Ten minutes later, the crew continued filming. Blanchett gradually entered the state, the number of NGs decreased rapidly, and the filming became smoother.

 But at the end of the morning, the scene where Daisy proactively woos Benjamin was still not finished.

 Martin was a little puzzled and asked Bruce: "Those two **** didn't come?"

Bruce shook his cell phone: "The car was stuck on that old road, and we're here now."

 After lunch, a news spread quickly among the crew. Big star Leonardo and Oscar king Nicholson came to the crew to visit!

 These two **** appear together and are quite lethal.

Many people in the crew ran out of the rest area, especially the large number of extras and staff recruited locally in New Orleans. They all wanted to take the opportunity to take photos and get autographs.

 Under normal circumstances, big stars who visit non-work crews are always friendly and approachable.

 Martin and Bruce also came out, and just as crowds gathered near the studio, the two of them simply climbed onto the roof of the trailer.

 Not long after the meeting, Saoirse Ronan climbed up with her bag on her back.

 Martin took out the highest-end iPhone and started shooting at any time, but his target was not Leonardo and Nicholson who were surrounded by people, but far away in the west.

 He reminded Saoirse: "Turn on your camera."

 Saoirse starts up as quickly as possible.

Just to the west, artist Shia LaBeouf comes alone.

 (End of this chapter)

Chapter end