Rebirth of the Great Entertainment Empire Chapter 138

As a Chinese person who really likes movies, Xu Cun is very eager for Chinese movies to have a place on the world stage!

Moreover, now that he is rich, Xu Cun feels that he should have some higher-level pursuits—for example, fame!

If possible, Xu Cun also hopes that this 'name' is a real name, not a stolen name.

Xu Cun knows better than anyone that "ET" is not a Chinese-language film at all, let alone a film made by Xu Cun-although "ET" was shot by his hands, "ET" is a film from start to finish. It's a Spielberg movie.

"Kao Ma Dan" is different - if "Dao Ma Dan" and "Farewell My Concubine" can be perfectly integrated as Xu Cun imagined, then "Dao Ma Dan" is not entirely his Xu Cun's movie, "Dao Ma Dan" is also It will be an authentic Chinese movie.

Therefore, Xu Cun has high hopes for "Dao Ma Dan"!

Based on this high expectation, Xu Cun thought for a long time when setting up the crew of "Knife Horse".

After thinking all over, Xu Cun asked Cui Baozhu to help him find someone—Liu Xun.

Liu Xun began to learn Peking Opera at the age of six and entered a specialised class that taught Peking Opera.

At the age of fourteen, Liu Xun went abroad to perform on behalf of the China G Art Troupe.

At the age of nineteen, after graduating from school, he was assigned to the China G Peking Opera Theatre and taught.

At the beginning of this year, Liu Xun moved to Heung Kong, where he worked as a lecturer at Heung Kong Academy for Performing Arts and engaged in Cantonese Opera research.

The reason why Xu Cun knows Liu Xun so well is mainly because some of the classic roles that Liu Xun has played are deeply rooted in his heart. For example, Gu Jinfu, the leading **** of the villain in "The Swordsman", Huang Qiying in Li Lianjie's "Once Upon a Time", and Jia Ting, one of the four major heads of Dongchang in "New Dragon Inn".

In addition, Liu Xun is also the opera director in Tsui Hark's version of Dao Ma Dan.

but--

Xu Cun asked Liu Xun for more than just letting him serve as the opera director in "Knife Horse Dance".

Xu Cun also planned to let Liu Xun go back to the mainland to help him find some people.

These people are Hu Weili, Zhang Manling and Shi Yansheng, Chen Kaige, Zhang Jianzhan, several professors who are familiar with the history of the Republic of China, and a group of costume designers and set designers who are familiar with history.

Hu Weili has composed and composed music for thousands of episodes of TV dramas, and at that time he also served as the deputy principal of the Hong Kong Pan Asia Symphony Orchestra, and performed for the Hong Kong Pan Asia Symphony Orchestra, the Hong Kong Chinese Orchestra, the Hong Kong Dance Orchestra, the Hong Kong Repertory Theatre, Hong Kong Arts Association, Taiwan Symphony Orchestra, Taiwan Chinese Orchestra, as well as a large number of commercials, film composition and soundtrack.

It can be said that Hu Weili is a musical genius!

Xu Cun invited Hu Weili to come to Hong Kong not only to want Hu Weili, Huang Zhan, and Gu Jiaguang to work together for the soundtrack of "Kao Ma Dan", he also wanted to recruit this wizard - otherwise, the current form is not suitable for Xu Cun to return to the mainland , Xu Cun must personally invite Hu Weili to Hong Kong.

Although he couldn't come in person, Xu Cun personally wrote a long letter of 2,000 words and asked Liu Xun to bring it to Hu Weili.

Zhang Manling is a famous dramatist. She took classes at the Chinese Opera School to study Tsing Yi, Hua Dan and Dao Ma Dan, and was taught by Wang Yaoqing, Xiao Cuihua, Hua Huilin and Cheng Yujing.

Zhang Manling and her husband Shi Yansheng are also Peking Opera instructors in "Farewell My Concubine", which is also the purpose of Xu Cun's invitation to come to Hong Kong.

Brother Chen Kai needless to say, he is the director of "Farewell My Concubine".

Zhang Jianzhan has to explain - he is the executive director of "Farewell My Concubine", and the brilliant achievements of "Farewell My Concubine" have a lot to do with him.

Xu Cun is going to get Chen Kaige and Zhang Jianzhan to serve him as director assistants, which can also be said to be staff advisers-although now Chen Kaige and Zhang Jianzhan are both students who have not graduated yet, but Xu Cun believes that he can film "Farewell to the Overlord". Ji" they will definitely come in handy.

With Xu Cun's current reputation, it's not difficult to find Chen Kaige and Zhang Jian to fight. The difficulty is what excuses to use, and the difficulty is how to avoid being involved in political events.

After thinking about it, Xu Cun decided to directly negotiate the conditions with the Beijing Film Academy - if the Beijing Film Academy agreed to the conditions Xu Cun proposed, he would send the Beijing Film Academy two sets of the world's most advanced photographic equipment (shooting in the United States G. During the ET" period, Xu Cun bought six sets of the most advanced photographic equipment, two of which remained in DreamWorks (US G branch), and the other four were shipped back to Hong Kong some time ago.).

The professors who are familiar with the history of the Republic of China are invited, because Xu Cun is going to let them help Xu Cun check-in order to make "Knife Horse Dan" a good result, Xu Cun must respect history.

Looking for a costume designer and set designer who is familiar with the history of the Republic of China is also for the same reason as a professor who is familiar with the history of the Republic of China.

Whether or not "Farewell My Concubine" and "Dao Ma Dan" can be perfectly combined, Liu Xun's trip north this time is the key!

Xu Cun knew very well that in order for a horse to run, the horse must be fed. Therefore, Xu Cun promised that as long as Liu Xun could do all these things, he would invest 5 million Hong Kong dollars to open a Chinese opera school with Liu Xun, give Liu Xun 30% of the shares, and appoint Liu Xun as the principal of the Chinese opera school. ~www.mtlnovel.com~ The benefits given by Xu Cun are like pie in the sky for Liu Xun, who has just come to Hong Kong from the mainland. Plus, what Xu Cun asked him to do was not too difficult. Therefore, the day after meeting Xu Cun, Liu Xun returned to the mainland with the office expenses of HK$200,000 that Xu Cun gave him.

In addition to asking Liu Xun to go north to recruit people, Xu Cun also personally invited several talents from Xiangjiang.

Needless to say, Huang Zhan and Gu Jiahui, there is another great writer Li Bihua.

Li Bihua is the original author of Farewell My Concubine. In addition, she is also the author of "The Terracotta Warriors" and "Rouge Buckle".

Xu Cun asked her to come back, just to ask her to help change the script of "Kao Ma Dan" - the original story of "Kao Ma Dan" was too rough, although Xu Cun has already changed it, but Xu Cun himself is not very good at designing delicate stories, so He invited Li Bihua, who is very good at writing spicy, dreary and tragic stories and novels, to supplement his shortcomings.

At this time, Li Bihua was just a primary school teacher and a freelance writer who had published several short stories, not the famous writer from the previous life. Therefore, the international director Xu Cun personally invited her to work together to create the script, and of course she would not refuse.

Of course, Li Bihua, who pursues freedom, happiness, and unhappiness, is still very literate-Xu Cun's original intention was to make the ending of "Kao Ma Dan" a big group member to cater to the audience, but Li Bihua insisted that the ending of "Kao Ma Dan" should not be too much too perfect. Even Li Bihua thought it best to make the ending of "Knife Horse Dan" an unexpectedly tragic situation.

The two argued many times, and finally Xu Cun and Li Bihua gave in each other~www.mtlnovel.com~Welcome readers to come and read, the latest, fastest, and most popular serial works are all on~www.mtlnovel.com~mobile phone Users please read.

Chapter end